But just what is it, and where did it come from?
Let's go back to the start. Back in November 1989, Games Workshop published a set of teaser illustrations from their forthcoming Space Fleet game. Page 31 showcased some rather lovely illustrations of Eldar ships and their crew, from the talented hand of Jes Goodwin.
White Dwarf 119, November 1989 |
Jes had designed and sculpted the Rogue Trader Space Elf (later Eldar) range, but as the 1980s gave way to a new decade, a redesign for the Eldar was on the cards. The first we knew about it was in April 1990, when White Dwarf published 4 pages of Eldar sketches, stating "We've had so many letter demanding more Eldar material that we thought you'd like to see these pages of new miniature concepts extracted from Jes Goodwin's sketch book." And boy did we like seeing them!
White Dwarf 124, April 1990 |
Jes wasn't finished with us yet though - more of his sketches were sprinkled liberally over the seminal Eldar army list in White Dwarf 127, as well as across many later Eldar publications.
White Dwarf 127, July 1990 |
In 2001 we saw more Eldar sketches published in The Gothic and the Eldritch. Over the last decade we have seen Jes' sketches for the 2005 Eldar and 2010 Dark Eldar reboots online. Warhammer World and Games Day have also played host to the output from Jes' pencil
Gothic and the Eldritch, 2001 |
I am a huge fan of the Eldar range and aesthetics. Imagine my delight when I heard that GW were publishing a new Eldar Sketchbook of Jes' miniature concepts. Imagine my dismay when I heard that this was an extremely limited availability publication - roughly 2-4 copies issued to each GW store for sale on their birthday weekends! Imagine my delight when my friend George Quail of The Bearded Quail mentioned that the Glasgow GW store birthday was only a week or so away, and he would attempt to procure me a copy.
And my Knight in Shining Armour did exactly that - what a fine gent he is! Two days later, and a wonderful book is sat on my desk. I lasted precisely 5 seconds before I carefully slipped the book out of it's protective film.
The front and rear covers are elegantly simple. The printing is onto linen feel covers, with embossed silver text. The front cover features a lovely Farseer illustration, plus Jes' own personal rune.
The inside cover of both the front and rear of the book have negative blueprint style images of the Fire Prism tank.
The frontispiece shows a nice loose sketch of the Avatar - clearly an early sketch for the illustration which graced the pages of White Dwarf 127 (amongst other publications).
There is a single page of text in the book, by way of introduction, remarking that "Every illustration on these pages was produced by Jes Goodwin, a veteran designer and sculptor whose obsession with quality is inspiring." Never a truer word said!
The 50-page book is stacked full of Eldar sketches from 1989 to 2013. The sketches are very nicely arranged and the consistency of Jes' penmanship means that the transition between old and new feels seamless.
The reproduction quality of the sketches is so high, you can see the eraser marks from where Jes has altered the drawings.
The final pages of the book show Jes' vision of Craftworld life - forest domes and a preliminary sketch of his civilians (also fully rendered in White Dwarf 127).
Is the book perfect? In an ideal world, I'd have loved to have seen the very early Space Elf sketches, and their evolution into Eldar Guardians. I'd have been really interested to see more of the rejected concepts - Aspect Warrior designs that didn't make the grade; Farseers that looked too much like High Elves perhaps - seeing the design process in full would have given a tremendous insight into the development of figure designs. And there are no Exodites or Harlequins either! But those are minor gripes.
If you're an Eldar or Jes Goodwin fan like myself, you should make every effort to track down a copy. I am eternally grateful to George who put himself out to obtain one for me. Good luck hunting your copies down!
I remember first seeing Jes's Eldar artwork in the Codex Imperialis and was utterly spellbound by them. They simply scream 'grace', an attribute so remarked by said race.
ReplyDeleteI was hooked ever since I first saw them. They are lovely illustrations in their own right, as well as being perfect miniature designs.
DeleteAnd now the option of not buying it fades away...
ReplyDeleteWas that ever an option?
DeleteThanks for posting this. Obviously this is a book that should be on general release... and for less than £30 (although that is cheaper for the rest of us this week than previously!)
ReplyDeleteDamn it, I probably need to track it down now.
£30 isn't a bad price for a high quality artbook. I paid a similar amount recently for a book of photographs. I suspect there will be huge demand (and high disappointment) for the book though.
DeleteGood luck tracking it down!!
I'm glad you liked it :)
ReplyDeleteI really do!!
DeleteAmusing seeing the same articles and locations I spied Jes' sketches again. I've always liked his aesthetic and was delighted no end when he revisted Skaven and brought that certain style of his. Enjoyed the review and thank you for the images!
ReplyDeleteAs a graphic designer, I'd love to see the process spectrum, as you say - seeing the rejects and trimmed branches of thought.
You could probably do half a dozen books on Jes' output - Marines, Skaven, High Elves...
DeleteGlad you liked the review :)
Lovely mate - you did very well to get hold of a copy!
ReplyDeleteIt's all down to a very accommodating friend in the right geographical location!
DeleteI will be doing my best to getc a copy of that for certain.
ReplyDeleteA lot is said of the undeniably huge Blanche influence on 40k, but it was Harlequins and Phantom Titans that grabbed me the most way back.
Good luck tracking down a copy cheetor - I hope you're successful.
DeleteI think I got grabbed in a similar way. I remember a mate of mine buying (and then painting) the Harlequin boxed set. I must have pored over the back of the box at the studio paint jobs for hours.
I will be doing my best to getc a copy of that for certain.
ReplyDeleteA lot is said of the undeniably huge Blanche influence on 40k, but it was Harlequins and Phantom Titans that grabbed me the most way back.
I'm glad to be of service mate! I've always found these super-limited-edition releases that GW do these days to be pretty stupid, they seem to benefit no-one but eBay scalpers. I'm glad I was able to ensure a copy went to someone who wanted it!
ReplyDeleteI love the drawings on this book, at least those that I can make out. Thanks for sharing. :)
ReplyDeleteThanks for the review. Are there also sketches for the latest models like the Wraithknight, Crimson Hunter etc.? And for the Forge World stuff (Titans, Lynx, Hornets, Cobra...)?
ReplyDeleteThe Wraithknight and Crimson Hunter are both in, but nothing from the FW kits sadly. Although it may be that Jes didn't design them all - the Cobra and Titans are his design; I'm not sure about some of the others.
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